![]() And when I shoot girls at the time, and still now, every time I want them to feel good and make them look great. “It’s difficult for me to choose a picture when people are looking somewhere else…I love the complicity with the model. “This is one of my main things, I really love the eye contact,” Le Gouès says. To the viewer, the images appear as though the capturer and the captured share a secret, one that lends the images their intimacy, their emotion. His talent is multiple - both sophisticated and primitive, and at the same time, timeless.” “90’s” opens with a preface from Bruni, who writes: “Thierry’s eye on his models is very special: imbued with delicacy and empathy, the shots are simple and joyful we laugh a lot. ![]() ’ And I’m so happy I did it because I love the result.” “All these top models, iconic girls, Kate Moss, Naomi Campbell - I shot everybody at the time, so I had all those girls and I say, ‘OK, why not, let’s do. ![]() “They all were shooting in this studio in Paris, it was the biggest studio, so I was in the mecca of fashion,” Le Gouès says of his start. ![]() ![]() In these early days of his career, the Brittany-born photographer had just emerged from his days working as a stagaire (intern) at Studio Pin-Up, where Peter Lindbergh, Patrick Demarchelier, Steven Meisel and Albert Watson were regulars. “It was most of my prolific work or my beginning in the business,” Le Gouès says, explaining the reasoning behind releasing the collection. ![]()
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